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Shot in crisp black-and-white and replete with the atmosphere of 1960s modernism, director Timm Kröger’s whatsit will appeal to fans of classic art-house cinema.
Though lacking key interviews from policymakers, Errol Morris’ documentary eviscerates the Trump administration’s separation policies at the southern border.
Review: ‘The Outrun,’ Saoirse Ronan tale of alcoholism and rehab, feels more like montage than movie
Saoirse Ronan and the strong cast of ‘The Outrun’ can’t quite save what could have been a gripping drama about a young woman’s return home and first steps toward recovery.
After a longtime lesbian partnership ends, the grieving survivor is left legally unprotected from a family with its own priorities in this heartbreaking drama.
Crammed with opening-night jitters, drug-fueled mania and a touch too much reverence, director Jason Reitman’s salute to ‘SNL’ is vividly acted fan service.
George Clooney and Brad Pitt reunite for a lax, generic-feeling crime comedy about two headstrong fixers who are forced to work together for one night.
Sebastian Stan plays a facially deformed actor who emerges from a miracle cure to realize he’s lost something deeper, in a movie co-starring Renate Reinsve.
Documentary director Lana Wilson moves on from profiles of Taylor Swift and Brooke Shields to a handful of New York City psychics, themselves looking to bond.
An unforgettably bleak Danish horror film from 2022 has gotten an inevitable Hollywood remake, one with a game cast but far less courage in the final stretch.
Elizabeth Olsen, Carrie Coon and Natasha Lyonne unleash a whirlwind of dysfunction and passive aggression as sisters awaiting bad news about their ailing dad.
